Carrie Schneider
(b. 1979, Chicago, IL; lives and works between Brooklyn and Hudson, NY)
Gallery Exhibitions
Selected Press
— Bengal, Rebecca, “Carrie Schneider Unspools a Riddle about Photography and Cinema” , Aperture, September 2023
— Silverman, Kaja, “Future Shock: Conversation with Carrie Schneider”, X-TRA, Spring 2022
Supplementary
— MASS MoCA, “In Conversation: Carrie Schneider and Laura Mulvey”, October 2024
— MASS MoCA, “Artist Feature: Carrie Schneider”, March 2023
— Smith, Cauleen, “Carrie Schneider’s Grown-Ass Women: You Better Recognize”, 2016
Blood Line, 2025, single continuous unique chromogenic photograph made in camera, 50 x 1000 inches (127 x 2540 cm),
installed 58 x 150 x 16 inches
Blood Line, 2025 (detail)
Installation view, Sphinx at Mass MoCA, North Adams, 2023
Sphinx (the answer isn’t man), 2023, 16mm film, color, silent, 16 minutes
Madame Psychosis (Joelle van Dyne), 2023, unique chromogenic photograph made in camera, 40 inches x 800 feet
Madame Psychosis (Joelle van Dyne), 2023 (detail)
Infinite Kill, 2023, unique chromogenic photograph made in camera, 60 inches x 100 feet
Infinite Kill, 2023 (detail)
Eve of the Future, 2023, unique chromogenic photograph made in camera, 40 inches x 200 feet
Eve of the Future, 2023 (detail)
Installation view, Deep Like, 2020-2021, 105 unique chromogenic photographs made in camera, approximately 25 x 20 inches each
Installation view, Sphinx at Mass MoCA, North Adams, 2023
Tender and Tenderized, 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
francahiga, 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
Cleopatra, 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
wet on wet, 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
Installation view, Sphinx at Mass MoCA, North Adams, 2023
Installation view, Sphinx at Mass MoCA, North Adams, 2023
Revenge Body, 2022, unique chromogenic photograph made in camera, 20 inches x 225 feet
Revenge Body, 2022 (detail)
Voice’s Owner, 2023, unique chromogenic photograph made in camera, 20 inches x 400 feet + steel pipe
Voice’s Owner, 2023 (detail)
I don’t know her, 2023, 16mm film on loop with sound by Cecilia Lopez, 4 minutes
Retired the Fantasy, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
Installation view, Revenge Body, Candice Madey, New York, 2022
Installation view, Sphinx at Mass MoCA, North Adams, 2023
Straight Alpha, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
I wanted to be a view, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
LA, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
May - December, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
Tell the Vision, 2022–2023, unique chromogenic photograph made in camera, approximately 52 x 40 inches
Installation view, Deep Like, Chart, New York, 2021
RRT (Recycled Rosemarie Trockel), 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
Hotter Cotter, 2020-2021, unique chromogenic photograph made in camera, approximately 25 x 20 inches
Installation view, Rapt, University Art Gallery, Albany, 2019
Installation view, Moon Drawings, Monique Meloche, Chicago, 2017
Moon Drawing #262, 2014–2015, unique gelatin silver print made from one negative, 40 x 50 inches
Moon Drawing #245, 2014–2015, unique gelatin silver print made from one negative, 40 x 50 inches
Installation view, Rapt, University Art Gallery, Albany, 2019
Installation view, Rapt, University Art Gallery, Albany, 2019
Installation view, More than Private, Slought, University of Pennsylvania, Philadelphia, 2017
Kira reading Mary Shelley (Frankenstein, 1818), 2012–2014, c-print, 36 x 30 inches
Installation view, Reading Women, Haggerty Museum of Art, Milwaukee, 2016
Abigail reading Angela Davis (An Autobiography, 1974), 2012–2014, c-print, 36 x 30 inches
Yala reading Susan Sontag (The Volcano Lover, 1992), 2012–2014, c-print, 36 x 30 inches
Installation view, Yvonne Rainer Reading (What’s so funny? Laughter and Anger in the Time of the Assassins: A Lecture by Yvonne Rainer), 2016, single channel video and audio, 35 minutes
Installation view, Carrie Schneider: Nine Trips Around the Sun: Selected Works from 2006-2015, University Galleries, Illinois State University, 2015
Burning House (August, raining, early), 2011, c-print, 40 x 50 inches
Burning House (October, afternoon), 2010, c-print, 40 x 50 inches
Burning House (September, night), 2010, c-print, 40 x 50 inches
Installation view, Derelict Self, 2006-2007, c-print, each 30 x 36 inches
Derelict Self, 2006-2007, c-print, 30 x 36 inches
Derelict Self, 2006-2007, c-print, 30 x 36 inches
Installation view, Hang on to Yourself, Part of Tense Territories, Finnish Museum of Photography, Helsinki, Finland, 2009
Las Bebidas, 2007, c-print, 48 x 60 inches